婚礼的最后花费仍不为人所知

婚礼的最后花费beijing massage仍不为人所知。策划切尔西婚礼的波士顿婚礼策划师布赖恩-拉法纳利只是对《纽约时报》称：“我知道切尔西和麦克想要最好的质量，这并不意味着最为昂贵，这只是意味着一个美丽的婚礼。”

　　不管意图是多么地高尚，你无法挽回婚礼本身。克林顿和切尔西在“你今晚的样子”歌曲声中起舞。12名伴娘穿着王薇薇设计的礼服，礼服染着薰衣草的一种特别色彩。当然，切尔西也穿着婚纱(事实上有两套服装，新娘在接待宾客时换了一套王薇薇希腊式长袍。)。切尔西在婚礼上穿着丝质无带透明硬纱礼服，腰部用银色宽腰带装饰。尽管对此给予了赞扬，时装评论专栏作者卡蒂-霍尔恩对《纽约时报》称：“这并不是一个特别高风格的选择。我们真的对切尔西的风格一无所知，也对她的漂亮婚纱一无所知，婚纱的腰部进行了适度的嵌入，有浪漫的层次，这反映了一名女子的关注焦点并不放在那个方面，也许，并不那样徒劳。”

　　如何解读这种评论？人们可以希望，可预料到的婚纱选择意味着，一名女子今年将有更好的事情去作，而不是被某个特别周末的细节所困扰。不过，慢慢流出的一些报道暗示，切尔西的婚礼存在着不少困扰。所以，我们可以发现切尔西与其他新娘一样处于同样的位置，她被告知，她应当不惜代价-情感或者其它方面的来准备她的婚礼，过后才发现她所有的选择都遭到人们的质疑。

　　Dressing Chelsea：Do clothes really make the bride?

　　The Wedding of the Year is over, and what have we learned? There was an interfaith ceremony; Bill lost the required weight, and then some; the cake was gluten-free. The wedding’s final price tag is still under wraps—Bryan Rafanelli, the Boston-based event planner who wrangled the affair, told the New York Times only, “I know Chelsea and Marc wanted to have the highest quality. That doesn’t mean the most expensive; it just means really a beautiful wedding。”

　　No matter how high-minded the intentions, however, you can’t save a wedding from itself. Father and daughter danced to “The Way You Look Tonight。” The bridesmaids—all twelve of them—were in Vera Wang wedding dresses dyed a particular shade of lavender, as no existing dress would do. And of course, there was Chelsea’s dress (actually, there were two—the bride changed into a Grecian Vera Wang gown for the reception). For the ceremony, she wore a strapless Vera Wang, its ivory silk organza accented with tulle on the bodice and silver beading on the waist. Though flattering, said Cathy Horyn in the Times, it was “not an especially high-styled choice”：

　　We do not really know anything about Ms. Clinton’s style, and in a way her pretty dress, with its modestly embellished waist and romantic layers, reflects a woman whose focus is not directed in that way, and maybe is not that vain。

　　What’s to be made of this dress-as-tea-leaves commentary? Predictable wedding choices, one would hope, suggest a woman who occasionally had better things to do this year than obsess over the details of one particular weekend; however, the reports that are trickling out hint at a fair amount of obsession all around. And so we find Chelsea in the same position as any other bride, one who is told that she should spare no expense—emotional or otherwise—in preparation for her special day, only to find her every choice questioned。

　　In a 2003 article about the wedding industry, Rebecca Mead wrote that “a bride’s anxiety—about her dress, about her mother-in-law, about the man she’s marrying—should be greeted as providing an opening for the self-assured salesperson。” And so cakes, flowers, favors, gift bags—anything that can be stamped with personality—have been transformed into a opportunity for self-expression. But with little other than the fairy-princess blueprint to go on, there’s often just one result: weddings that are a vessel for not only a lifetime’s worth of hopes and dreams, but also a bumbling attempt at redemption and womanly reinvention。

　　Perhaps Chelsea’s dress does indeed reveal a lack of focus and vanity, and maybe even pedestrian tastes. Or is it possible that, despite the designer pedigree, it’s just a dress?

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